Asobi by Yasutoki Kariya re-enacts Newton’s Cradle, using a lovely sequence of light bulbs.
Headdresses by bubblesandfrown on Etsy.
Oh my god. Fuck you. Fuck this. Fuck that. Fuck bubbles. And above all fuck that model. I hate that look on her goddamn face so much. It just screams “I massacred your people, and now I can do whatever I want with no consequence, we won.”
Fuck. All. The things.
These headdresses don’t look appropriative at all. They don’t even resemble the traditional stereotypical plains warbonnet that hipsters all lurve to death. They appear to be flashy hats made out of feathers, feathers=/=appropriation. Unless I’m missing something and she’s marketing these as “native” or they’re a dead ringer for some other culture’s head dresses that she’s ripped off?Color me confused but I don’t think every single costume artist who dares to wear some pointy feathers is a “redface” wearing caricature.
(via zooophagous)
Robert Buelteman ran 80,000 volts of electricity through various plants, creating these awesome photos! With so much energy passing through the plant, the air surrounding it ionizes, leaving a peculiar blue haze.
Robert Buelteman Shocks Flowers With 80,000 Volts
via Reddit
Star trails over the Australian Outback by photographer Lincoln Harrison
(Source: throughascientificlens, via scinerds)
So I colored it after all….
Circus style Natasha.
I like the apple.
(via modernsplendor)
- Rutina Wesley
I can’t handle her right now
She went to my college!
(Source: missfordtb, via fairypunk)
(Source: loveage-moondream, via naturepunk)
the smallest gardens by knitalatte11 on Flickr.
(via katbot)
Being here, by Mark Garry, thread pins, beads
(Source: setsofnine, via zooophagous)
Pheromone series by Christopher Marley
If you’re not a fan of this series…. I daresay you be buggin’.
(via synaesthesiologist)
Like a 3-D take on Jackson Pollock, the latest work by the artist Martin Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker. Then the volume is turned up. For each image, Klimas selects music — typically something dynamic and percussive — and the vibration of the speaker sends the paint aloft in patterns that reveal themselves through the lens of his Hasselblad. For this series, Klimas spent six months and about 1,000 shots to produce the final images. The resulting images are Klimas’s attempt to answer the question “What does music look like?” (via nytimes)
(via seriouslypsychedelic)
